Passé Blanc
, 2019
she.her.hers
Los Angeles,
CA,
United States
Kimberly critiques self-identity, ideas of beauty, popular culture, and race in America via video, sculpture, photography, and painting. She inserts herself into her work by casting her own body, using her hair, and portraiture—all forms struggling with the constraining expectations society imposes on women of color. She writes “Through the lens of beauty, I examine my position in the diaspora. Pressures of fitting into what the majority culture defines as normal: neater hair and constrictive body typecasting, dictate my daily routine.”
Medium