History Limited Edition from Territorial Pissings
, 2019
she/her/hers
Los Angeles,
CA,
United States
Through replication, scale, and perspective, Mendoza uses personal touch and common materials to transform the banal via drawing, sculpture, and installation toward visual poetry. Creating a visual language inspired by “things” helps restore parts of spoken language that were often absent or confusing during Mendoza’s childhood, since neither her native nor non-native languages were fully formed when she immigrated. From the spaces between American, Filipino, & Filipino American cultures, Mendoza investigates colonized & decolonized perspectives reflecting circumstances of cultural amnesia and assimilation through the process of the handmade.
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